Showing posts with label endure. Show all posts
Showing posts with label endure. Show all posts

Thursday, April 15, 2010

Movie Swag

Before and after the Lakeland premiere of Endure, you can buy office movie swag. Get a can koozie, shirt or hat and show your fellow Lakelanders you're one of the cool kids in town.

If you're unable to fly in to Lakeland for the show, you can order said items online.

A Florida Southern College Connection to Endure

When Lakeland rolls out the red carpet this weekend for the screening of the new movie "Endure," Florida Southern College will be well-represented.


In Jesse Larson '09 Gets a Close-up Look at the Art of Making Movies With "Endure", Florida Southern interviews one of their own who helped make Endure a reality. FSC grad Jesse Larson served as an associate producer on the film.

Larson was among 70 people who worked on the set every day during the shooting of the $1.5 million independent film. In addition, several FSC alumni including--Trippi McGlinn '00, Toby McGlinn '99, John Hickman '99, and Angela Rogell '02--worked as extras on the film, some of which was filmed just blocks from the College.


Read the rest of the article....

Tuesday, April 13, 2010

Lakeland Premiere Activities

There are a number of festivities surrounding the upcoming Lakeland Premiere of Endure on April 16 at the Polk Theatre. You'll want to get your tickets before Friday. We've had four straight sell-outs.

For those planning on attending make an extra effort to take advantage of these fun opportunities....


7:00 PM Photo Opportunities on the Red Carpet (BYoC -- Bring Your Own Camera)
7:30 PM Doors Open - Mad rush for seats
8:00 PM Screening Begins -- If no one falls in the mad rush for seats.
9:45 PM Question & Answer Time With Filmmakers -- Not just any filmmakers...the ones that made Endure.
10:30 PM After Party at Molly McHugh's Irish Pub (10% off tab with ticket stub) - (With that kind of savings you may temped to run Molly's out of Guinness. Please designate a driver or ask for cab)
2:00 AM Go Home. -- No, seriously go home.

Tuesday, April 6, 2010

Sold Out! (Again)

Endure has sold out at yet another festival. The Sarasota Film Festival just let the producers know that both showings of Endure have sold out. If you'd like more information or want to know where you can go to stand outside and hope for an extra ticket.... http://www.sarasotafilmfestival.com/2010/

OR...

You can still find a ticket for the April 16th Lakeland showing of Endure. Get the details here.

Wednesday, March 31, 2010

Polk Theatre Rolls Out the Red Carpet for the Lakeland Premiere of ENDURE

Endure, a crime thriller locally produced and filmed is set to make its Lakeland debut April 16th at the Polk Theatre. Coming off sold-out shows in Tampa and Sarasota, the film is scheduled for one showing at the historic downtown Lakeland theater.

Written and produced by the local production company, Nfocus. the story revolves around a young woman abducted and tied to a tree in the middle of an isolated swamp in central Florida. The only person who knows her location is dead. Called from the bedside of his ailing wife to unravel the mystery, veteran detective Emory Lane teams with new partner detective Zeth Arnold. As the men sift the clues they come to a startling revelation; they're not the only ones looking for the woman.

Filmed in Lakeland neighborhoods, the Green Swamp and in Bartow last spring, Endure stars Judd Nelson, Devon Sawa, Tom Arnold and Joey Lauren Adams. Endure received the Best Florida Production award at the 2010 Gasparilla International Film Festival. It is scheduled to appear at the prestigious Sarasota Film Festival April 12 and 13 as well as the Nashville Film Festival April 18 and 19.

Lakelanders can order tickets for the exclusive run at http://www.polktheatre.org. The film's writer/director, Joe O'Brien, editor Jim Carleton, and producer Rob Tritton will attend a question and answer session immediately following the film.

Monday, May 11, 2009

Thanks to Bartow Regional Medical Center

One of our few locations outside of Lakeland was the Bartow Regional Medical Center. The hospital closed their Post Surgical Unit for an all-day shoot. We're sure the many crew, cast, and production trailers looked like an advancing invasion force as they pulled onto hospital grounds.

From entry badges to in-house directions to off-duty personnel, BRMC went all out to make sure patient care wasn't compromised while making the Endure crew feel welcome.

It was a long day in tight quarters, but filming in the hospital will ensure a realistic look for the film. Select BRMC staff spent their off day helping with the film. For one key scene, a BRMC team portrayed operating room doctors and nurses. From setting up monitors to the proper look of wounds, the staff helped out the crew.

I witnessed one small scene where BRMC staff made sure reality was key. A prop crewperson set up a surgical tray and adjusted the instruments "just so." As he walked away, a BRMC nurse casually put the instruments in the correct order. During the scene, she was going to need to grab them without looking and they needed to be correctly placed. Of course, the prop person wouldn't know the proper order for the tools, but it made a difference to the expert.

Every member of BRMC we encountered showed such expertise, patience, commitment, and a desire to help with the film. We are very grateful for their work, and for the opportunity to film at their facility.

That's A Wrap

Endure has finished principal photography. After last night's Wrap party, the cast and crew have moved on to other jobs. Except for Executive Producer Jim Carleton, who changes hats and starts editing the film. He'll put together a cut and then work with Writer/Director Joe O'Brien on a final cut.

Don't expect many changes from the Editor's cut. Carleton said he and O'Brien have worked together for a long time. That familiarity enables him to look at the raw footage and see the scene O'Brien filmed.

Over the next few weeks we'll continue to post articles and tweets from the film. Expect more "thank you" posts for all the organizations and people who've helped and are still helping make this movie a reality.

We'll also post some crew information, behind the scenes photos, and technical aspects about the film.

This story isn't over until the NFocus guys start production on the next film...

Monday, May 4, 2009

Mister Fish

Last Tuesday, the Endure cast and crew had the pleasure of filming at one of Lakeland's best known locations: Mister Fish. Using a crane for the shots outside the eatery, Director Joe O'Brien made sure to get one nice shot of the familiar Mister Fish sign. Let's hope it makes the cut.

Lakeland residents make the small corner restaurant a busy place during lunch. Add the public library, a film crew, and dozens of onlookers and Palmetto was a very busy street. The crew barricaded the street -- with permission of course -- to allow our drivers to portray background traffic.

We'd like to thank Mister Fish for letting us interrupt their day, the Lakeland Public Library and the Polk Museum of Art for loaning us a sizable portion of their parking lot, and all the businesses and homes for letting us inconvenience them to make Endure.

After the end of filming, we'll have longer thank you for all those who've helped with sets, street closings, and other inconveniences. Tonight we have to hide away in a basement.

Yes, there are basements in Florida. Here it is...

Tuesday, April 28, 2009

Looking On

DSCF6194

For the first week of production, we had very few onlookers. The first few days were on a relatively busy street in the South Lake Morton district, but the scenes were indoors. A few cars slowed down, and we had more reporters than residents stopping to take a look.

That changed Monday. The production moved to a trio of homes near Lake Morton, and almost every scene was outdoors. Many of the Lakeland residents who follow this production blog and our Twitter updates figured out we were in the area and came by for a look.

pole_endureSome seemed very interested in the production and some in the cast, but all were respectful to the cast and crew, and quiet during filming.

There were a couple of folks who didn't seem to be movie fans. One driver ignored road blocks and crew members to drive past the set. And one local resident wasn't about to let a film interrupt her daily walk. But they were far less an interruption than the bird who couldn't interrupt his love song for our crime thriller.

The Boom Mike operator tried to shoo him away, but he just jumped up one wire. Sound wasn't too perturbed. It's hard to blame a bird for whistling in Spring.

Photos by Chuck Welch

Update: Edited to remove errant sentence.

Lighting Fix

If you read the description of the first day, then the first week was

Day 2: ditto
Day 3: again
Day 4: more of the same
Day 5: Yet again

A commenter suggested we're not publishing cast photos because the Bale incident. I've seen nothing like that on this film. That isn't to say everything is perfectly smooth.

Sometimes planes fly overhead. Sometimes the camera doesn't reboot correctly and the sunlight never waits. Sometimes a light is too big...

The other morning, the lighting crew set up in a very small room that served as an important location for the film. It needed to be small, comfortable, and realistic. The room was perfect for all that, except one corner was too dark.

So the crew added a light that created the perfect mood for the scene. Everyone stood ready as the cameraman took the camera through the scene and found he could see the light in the shot.

All stood back while the lightening crew rushed to raise the light to the ceiling. Unfortunately, the next run through found the light still intruded on the frame.

Of course, it was an important shot that needed to be made now. The cast was ready. The director was ready. All were sympathetic, but no one could help the lighting crew solve the problem.

The crew found a smaller, more powerful light. Then they had to hand-fashion a filter to make the light fit the scene.

During the many minutes it took to fix the lighting problem it could have been easy for people to express frustration. No one wants to fall behind schedule. The cast gets geared up to act now, and doesn't like to wait. The crew was dancing well, but it felt like someone had thrown glue on the floor.

You could see crew and cast find what they could do to cope. Some worked ahead where possible. Others found a spot and relaxed. Some just stood ready to help.

Did no one feel anger, irritation, or exasperation? I can't tell you that, but all seemed to realize that expressing those emotions wasn't going to help speed the lighting fix.

I'm sure that was a testament to the experience and professionalism of all those involved.

Monday, April 27, 2009

Where are the behind-the-scenes photos of the cast?

DSC_2627


According to Executive Producer Jim Carleton, the reason we haven't published any photos of the cast is contractual.

When your brand and your livelihood is your "look," you want to make sure you're always at your best for a photo. With actors concentrating on their parts, they don't have the opportunity to smile and pose for the silly behind-the-scenes photographer.

So the producers made a contractual agreement with the cast -- the photographer is given full access to the set to shoot freely. Any cast photo the producers might want to use for publicity, or DVD extras, is submitted to the cast member for approval.

Since the film is keeping much of the story and look of the actors under-wraps, the producers have decided not to publish any behind-the-scenes photos of the cast at this time.

That gives you a little hope, doesn't it?

Friday, April 24, 2009

Clare Kramer Brings it On to Endure

Yes, you recognize Clare Kramer from Buffy, the Vampire Slayer. Her 13-episode arc as "Glory" is a fan favorite. As Buffy's primarily protagonist from Season 5, she was a villain fans loved to hate.

The Georgia-born actor is returning to the South to join the cast of Endure. The film's producers haven't released many details about the role, but the role opens the movie and drives the film's plot.

Writer-Director Joe O'Brien auditioned many actresses for the part, but couldn't find one who expressed all emotions needed until he cast Kramer.

For more information about Clare Kramer, see her filmography at IMDB.

Photo courtesy Clare Kramer

Tom Arnold Plays a Pivotal Role

Joining the cast of Endure is actor/comedian/sports commentator Tom Arnold. With four films in various stages of production, the always-busy actor comes to Endure after a recent guest-staring stint on E.R.

First recognized as a stand-up comedian, Arnold was a writer/actor for the Roseanne show. After the series ended, Arnold often guest-starred on comedies such as "Malcom in the Middle" and "Arli$$." He's also a mainstay on late-night talk shows trading jokes with Jay Leno, David Letterman, Craig Ferguson, and Jimmy Kimmel.

While Arnold's early work was primarily comedic, he has started accepting more dramatic roles in both television and film.

Endure producers haven't released details about Arnold's character, but expressed that the actor is playing a pivotal role in the film.

photo of Tom Arnold and Pierce Brosnan courtesy and CC by the1secondfilm.

Monday, April 20, 2009

First Morning: A Subjective View

This morning I wandered the set; watching the crew and the cast prepare, discuss, and prepare some more. All for a scene that takes maybe a minute of the film.

It couldn't sound more simple: cars pull in as people walk into and out of a building.

Of course, it's not simple to make sure each of those persons starts and stops at the right time, and in the right place. It's not simple making sure that every door, building and car is correctly labeled. It's not simple making sure no one has hair sticking out sideways or tans that stop right at the chin line. It's not simple making a sunny street when the sky is overcast. Or a dark room appears to have sunlight streaming in the window. Or making sure that a character is not wearing the same shirt and tie in scenes set two days apart. Or is wearing the same shirt when the scene calls for it.

It's just not simple to make a movie. There are at least a hundred crew and cast dancing around and through a building. There could be twenty in the hallway when the film can only show six. There are cables to be lifted quietly off the floor -- and not tangled --- as the camera is pulled backwards in front of actors walking forward, and stopping right there.

To enter the scene just so, actors walk around cameras, out of doors that aren't there, and speak their lines as they ignore the dozen crew peering at them from behind the camera's view. A crew that seconds before was moving, fixing, adjusting, installing, or removing. All with singular purpose; each knowing his or her duty, and ready when called upon.

It was like watching a ballet in a crowded hallway performed by 30 of your neighbors.

I'd catch the random crew member here or there with a minute or two of free time. I'd ask how was the filming compared to other first days. Each seem pleased that it was going so smoothly.

Early in the morning, I'd overheard one crew member say to another, "You're doing an excellent job." Then he introduced himself. They'd already been working together two hours at that point. They hadn't had time for introductions.

When standing in a doorway that the camera couldn't see, I watched a scene shot four times. Each time the director would adjust the movements of background extras, and the actors would change their lines slightly to emphasize a word or two. And the cameraman would reset to see one actor's face in just the right light. Each take looked like a movie scene.

Then I watched a little of what the camera filmed on the monitor. Now that looked like reality.

Sunday, April 19, 2009

Devon Fans




The other day, I was able to release that Devon Sawa was part of the Endure cast. A few minutes after posting the news on Twitter (@enduremovie) I received tweets and text messages from some young women. They all informed me how much they loved Devon and had such a crush on him when they were teens.

Even my 22 year old daughter let me know she was a Devon fan.

So it came as no surprise when I received an email with the photo you see above. Local resident Amy Strohmaier was enjoying a nice dinner out when she spotted Devon. A few minutes later and Devon was kind enough to stand with her for this photo souvenir. I wasn't surprised to read that Amy once had a crush on Devon.

Based on what I've heard the last few days, I don't believe any of those crushes have completely faded.

Thursday, April 9, 2009

Tyler Billingsley Behind the Scenes

The Endure crew is a mix of those with years of big budget experience, those working on their first feature film, those who move for projects, and Lakelanders who have worked with previously with Joe, Jim, and Rob. One of the "locals" is Tyler Billingsley. In 2003 he stopped by NFocus, Jim, Joe, and Rob's company. With an interest in video production, Tyler had decided he needed on-the-job training. He'd found the firm in the phone book and came looking for an internship.

Though the guys at Nfocus weren't sure they needed an intern, Tyler had an ace in the hole. His step-mother had known Joe in high school. With her encouragement, NFocus decided to give Tyler a chance. His random phonebook search paid off as he found a work environment he truly enjoyed, “They work together really well.”

Now a teacher at Full Sail University, Tyler is shooting the “behind the scenes” video for the production. “It's my first big budget project. This is good experience for me,” he said.

While Tyler is shooting video for the movie, his expertise is in editing. He enjoys crafting a piece from the raw footage, but laughs how his hardest work may go unnoticed. He could spend hours making one minute of video look perfect, but the finished result looks so effortless that the client thinks it must have been easy work. “They're just not going to know what you put into it,” he said.

Though he loves the work, Tyler acknowledges that many would find it tedious, “This is something you have to like to do.”

*

Tyler uses Final Cut Pro HD to edit stills from his raw behind-the-scenes footage.

Wednesday, April 8, 2009

News Coverage

Almost from the start, the production has received coverage from the local newspaper, The Ledger. Today, the Ledger reporter and photographer will accompany some crew as they scout a location.

We'll post a link to the latest story as soon as it is published.

Below are links to the Ledger's previous articles:

March 09: Lakeland Filmmakers Snag Judd Nelson

Feb. 09: Local Filmmakers Bring 'Endure' Back to Polk County

Feb. 08: Lakeland Filmmakers 'Endure' to Get Funding for Film

Feb. 08: Video Interview

Jan. 08: Video Interview

Monday, April 6, 2009

Monday Production Meeting

The production offices have quickly become overcrowded. The building stays buzzing as people walk in, out, and through. There are quick introductions as crew members meet.

At 10:30, the first full Monday Production Meeting fills the conference room. The session gives crew from each discipline the opportunity to tell the rest what their week will bring. Questions are asked, requests are made, and needs are noted.

Afterwards, Producer Rob Tritton talks about the importance of such a meeting to start the week. How it helps the crew plan and know what to expect from their peers.

Even after the big meeting, there's a lot of commotion. Small offices hold meetings of two, three, or five, hallway discussions are quick and to the point, phone calls must be made in noisy open offices.

There's just not much time to relax. This week the crew needs to try out the cameras, send test film, break down shots, shoot photo boards, lock down locations, set up transportation, cast a stray character, and make numerous other decisions and duties.

Yet, Rob calls next week "Hell Week." Next week will be the last for pre-production. Shooting commences April 20th.

Friday, April 3, 2009

All Work and No Play

While many of the crew is already working 12 hour days in pre-production, they're aware of the need to grab some down time where possible. The schedule for Monday, April 6th ends with the start time for the NCAA final game.

Costume Design Meeting

Most merely call them clothes, but for Beverly Safier they're “costumes.” For over 30 years she's created the look for film and television actors. Yesterday, she met with Joe, Jim and Steve to start work on the look for each Endure actor.

As the writer/director for Endure, Joe O'Brien has long had an image in mind for each part. Before she met with Joe, Beverly read the script and wrote costume notes. Throughout the meeting Joe often remarked how Beverly's vision was close to his own.

(This blog wants to give you a peek behind the scenes, but not reveal too much of the film. So bear with us as we stay coy about character and actor names and descriptions. Still, it is interesting what goes into costume design.)

Before the meeting Beverly and her partner Armando met with a representative of the Lakeland police department. As law enforcement is seen in the film, Beverly wanted to see how current law enforcement dresses; even down to little details as to where detectives like to wear their badges.

Since many background and extra parts don't fill until the last minute, sometimes the costume must come before the actor. Able to borrow some extra uniforms from LPD, Beverly remarked, “We'll get people to fill those uniforms.”

The film is made in Central Florida, and Beverly first confirmed that it is also set there. “We are shooting this Florida for Florida?” She wanted to make sure all costumes match what is expected in the region.

Though the discussion moved through the film scene by scene, it wasn't just the matter of dressing a character for each scene. They would also consider the arc of each part. For example, Beverly felt one key character's clothes should start out light but go dark for a late scene.

Even the look of scenery dictated costume design; storyboards are consulted and Director of Photography Stephen Campbell would pull up location images and the crew would discuss what costumes would fit that room. Even wall and car seat colors could cause Beverly to change an actor's costume.

In a couple of cases, seeing the actor cast for a role gave her new ideas for that character's costume. Especially for those actors she remembers from previous films. She already knows what would work on that actor that would still fit the character. For one actor, Joe to remarked, “Her voice is as petite as she is.” Understanding how voice and body size also helped Beverly offer ideas for that actor's character. Another actor already cast for a role prompted a discussion about how the actor's body shape would affect costume decisions. It's the rare actor that can look “right” in every costume. The crew discussed how dressing against that actor's shape would fit the character. As Beverly said, “That's totally wrong. So it's perfect!”

The crew took much longer to work out a look for one pivotal character. Much care was made to how the character would have dressed even before the film opens. They considered how those clothes would look in various scenes, and as Joe said, “What does the audience expect?” Though he liked Beverly's ideas, Joe decided to ponder the character's look for a bit before committing.

It was interesting to note that Joe felt one character's normal clothes would be a costume to that character. In Joe's mind the character had reached a position in his career and now wears the clothes he feels others expect him to wear. “He dresses the part,” Joe said.

For some experienced actors, Beverly and Joe agree the actor would have some input on what might work. In those cases, the crew agree on a general look, but leave the final details until the actor comes to work.

It's even easier to dress the extras who must wear their own clothes. Beverly mentions they give them guidelines for what to wear to filming. “We ask them to bring three choices,” said Armando.

For one character, Joe thinks aloud that he sees the character as having an almost “hippy” look. Beverly said her notes say “Earth child.” It was obvious they had the same image in mind and it was just a matter of perfecting the details,

Ideas for other needs also came up during costume meeting. When Joe remarked that a particular actor could play piano as called for in the screenplay, that gave Stephen the idea that he could pan up from her fingers to her face. If she wasn't a pianist, they would have had to fake the playing or shoot someone else's fingers playing and cut to the actor's face.

The meeting concluded as each crew member took his or her notes and started work. After many meetings about money, Joe remarked that “It's nice to get to the creative interpretation of the script.”